“Babylon is a film that aspires toward greatness and has a sizeable appetite, but its eyes are just bigger than its stomach.”
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“Rian Johnson does not mess with the formula that made the first one a success, bringing a new, inventive mystery to the screen.”
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The Fabelmans, heavily influenced by Steven Spielberg’s own autobiography, is an ode to the desire to create.
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It is not the bloodiest or goriest movie, though it has plenty of both, but what lingers about Bones and All is the sinister atmosphere and mood that it created.
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Celebrity chef Julian Slowik has become the Colonel Kurtz of the cooking world and this night is his Apocalypse Now.
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“McDonagh gives the audience enough on both sides to understand each man even if they may be more sympathetic to one side than the other in this growing conflict.”
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“If you like your satire dark and slightly twisted and you like cringe comedy, Östlund’s Triangle of Sadness is for you. But also maybe have a barf bag on hand just in case.”
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“Decision To Leave is a beautifully layered film that keeps you on your toes and invests you in the burgeoning relationship between two people who seem fated never to be together.”
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“Black Panther: Wakanda Forever is an emotional attempt to say goodbye to a beloved figure and find a path forward for the franchise.”
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“There is a lot of formulaic superhero stuff going on throughout this movie; some of it works, a lot of it does not.”
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“Women Talking is a challenging film that deals frankly with a difficult subject. It does so with grace, righteous anger, and compassion.”
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Despite a strong performance from Ana de Armas, Blonde feels like a continuation of the exploitation that dogged Marilyn Monroe’s career.
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“Is Don’t Worry Darling good enough to rise above the maelstrom or is it destined to be forever subsumed by the narrative surrounding it and become another troubled Hollywood production cautionary tale?”
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