I would tell young performers to have an open mind and never give up. The industry is slowly changing and with that, old narrow views of who can play what is being thrown out in exchange for a wave of non-traditional casting. This business in many ways is also a matter of last man standing, if you keep working hard things will happen eventually. Keep showing up and being unapologetically you.
Read MoreStriving to achieve perfection wouldn't be the best path to go down. I say this as a person who's traveled that road many times and still frequently falls into the trap of it. But perfection is highly overrated and more than anything, people want to see you be authentically you. Because that is something special.
Read MoreI’d tell young artists that if performing is what you want to do, go do it. Don’t let anyone stop you or try to discourage you from doing it. Find a way that works best for you and give it your all.
Read MoreAdvice to young people... Don't be so hard on yourself. That hamster wheel in your mind ain't worth it. The likes & numbers on your social media are not important. What's important is that you continue to look out for yourself and find the artist within. At the end of the day, we all leave at some point... Why waste your beautiful concentration on the things that don't matter. Dream and make them come true.
Read MoreIf you ever are doing a show where you walk off the stage at night and you don't feel more satisfied, fulfilled, or purposeful than when you stepped onto the stage, it's time to leave that show. There are plenty of days when I don't have what I think is needed to do my job, and I don't want to go on stage. But I almost never leave the stage feeling worse off for having done the job. When I feel worse off, the job is no longer worth its rewards.
Read MoreYou have to remember that you are your own amazing/ rockstar/bad** self and when it is your time, you'll know. Also, your worth is never defined by a callback, what people say about you, or a ‘yes/no’. Protect your heart and your mind because your well-being and your spirit are what will open doors for you.
Read MoreThis is the third time I’ve had the pleasure to be part of In the Heights. The first time was in 2019 with a wonderful cast in Portland Center Stage. The second time I had the wonderful opportunity to be the associate director alongside Luis Salgado as director. This production was very revealing for me and my career. Being in a creative position within a show that I know so well, telling a story that is very close to my heart, really opened up a new perspective of seeing theater and my position as an immigrant, a woman, and a Latina in this medium.
Read MoreHonestly, if you can have a career in anything else you should do that. There is being an artist and then there is the career of being an artist. It’s just challenging emotionally, physically, and financially.If you are like me and you absolutely have to do it, it is the highest of the high and the lowest of the low so you have to navigate those ups and downs and constantly seek healthy ways to bridge that gap. It’s a life’s work and one I am deeply grateful for.
Read MoreI’m in a place in my life where the pandemic taught me to take care of myself first a little bit more. With self care, things then fall in line around you versus trying to take care of other people, or take care of your job or try to serve something without serving yourself in a way that helps you and lends better results
Read MoreI want everyone to be able to return safely and for audiences to feel welcomed but also taken care of. I don’t want to rush anything. Even though I’ve had to confront the injustice of how certain things can be open while others have to remain shut, I understand the motivations and financial interests, it just feels like artists get the rough go of it again.
Read More“Don’t be afraid to go for roles that speak to you even if you feel you’re not right for them. I find that you can learn a lot from a character that is completely different from yourself. Even if you don’t get the part you still learn a lot just from preparing the character for the audition.”
Read More‘The Vaudevillian’ is a two-person 1930's Jug band Ragtime Blues band. They host interactive Washboard Workshops and interactive Musical Spoon Workshops across the country. Get ready to shine your shoes to do the skoodle um skoo!"
Read More“It is my joy to introduce you to Michael Callahan. He serves as The Dance Captain, Fight Captain, Swing, and Understudy for Aladdin and Iago in the National Tour of Aladdin as well as Dance Supervisor for the show in Mexico City.”
Read MoreI would like you to meet DJ Plunkett! This CCM alum is currently performing the role of Boq in the North American Tour of Wicked.
Read MoreI would like you to meet the talented Bligh Voth. Bligh is Standby in The North American Tour of The Tony Award-Winning Musical The Band's Visit. I first heard about her when I was coming up int the DC Theatre Scene over ten years ago and it is so cool and inspiring to see where she is now. It was such a privilege to have the chance to interview such a talented artist.
Read MoreI would like you to meet the wonderful Todd Buonopane. This very talented man is currently on the road performing in the National Tour of The Play That Goes Wrong performing the role of Dennis.
Read MoreIt is my honor to introduce you to Savannah Jackson-Page. Savannah will be performing as a Storyteller in the upcoming National Tour of “Once on this Island”.
Read MoreI would like to introduce you to DeShawn Bowens. Mr. Bowens will be making his Touring debut pretty soon in the upcoming National Tour of Mean Girls performing in the ensemble.
Read MoreI would like you to meet Frank Ruiz! This recent of The American Musical and Dramatic Academy (AMDA) graduate is currently performing in the International Tour of The Wizard of Oz where he is performing in the Ensemble and the Lollipop Guild.
Read MoreEmily Koch is a woman who knows how to jump around. She just finished her brief Broadway run in Waitress on June 2 after touring the country with the show as a swing. Koch also spent time in Wicked both on tour and on Broadway as the Elphaba standby.
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