“Why aren’t you on Broadway?”
It’s not my time
“Don’t you even want to try?”
I will, someday in the future when it’s right. My life isn’t over yet.
“Don’t you regret it?”
Yes, every day I do. But I have found my balance.
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I’m writing this letter from the battlefield. It’s Wednesday—well, early Thursday now—of Tech week and the show I’m working on opens Friday. I’ve slept 8 hours in the past 3 days. The paint in my hair is at least a couple of days old and I haven’t changed my clothes in a week. I can’t remember the last time I saw the costume designer without some sort of sewing in her hands. At least I’ve seen her—I asked the props designer to go find gaff tape a couple days ago and I haven’t seen her since.
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“From the historical context to the complexity of the music and lyrics, to the intricacy of the characters, I really believe that Annie deserves far more recognition than it receives.”
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“I’m grateful that stage makeup was my introduction to makeup in general. I internalized makeup as being a fun, artistic venture, not something meant to correct “problems” with my face. It’s part of creating a character and allows you to ‘put on a mask’”
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“I know that calling this album definitive will be deemed as sacrilege by many musical theatre lovers, but this version is set apart by the fidelity of the recording and the completeness of the artists’ original vision.”
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“I happened to see this show at a time when I needed it most.”
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“This movie is something that I will hold close to my heart as I move forward in my theater career and I hope everyone will be as inspired by it as I was.”
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“Here are a few shows that should produce a musical episode.”
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“There is an audience for a Taylor Swift musical. We all know she will inevitably be involved in Broadway. The question remains: How will she accomplish this?”
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